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Imed

HYPOTHESIS ON SUBJECTILES by Adnen Jdey

HYPOTHESIS ON SUBJECTILESby Adnen Jdey A reading hypothesis: everything happens with Imed Jemaïel as if his works did not follow one another, but coexisted. Because he has stubbornly pursued a variety of paths for the past fifteen years, his approach seems to be plagued by

“INK ARCHIPELAGO” EXHIBITION 2018, Ghaya Gallery

The exhibition "Archipels d'encre" presented today at GHAYA gallery writes itself in the continuity of lmed Jemaiel's art work. lt echoes his latest solo exhibition "Maculée conception" shown in 2016. The opportunity to show new work, never shown before, a body of paintings that links
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DETAIL, Gaya Gallery

One does not finish soliciting the chance! From the outset one confiscates the reverse side of a canvas; square, it is preferable! Blows of dice: blows of lines, spots by A-blows, swarm or on the contrary disperse, taking the disproportion of the Chaos. The splashes
REMINISCENCE, Galerie A Gorgi, Imed Jemaiel

REMINISCENCE, Talon et Galerie A.Gorgi

Born in Bizerte on 1965, lives and works in Tunis. Since his induction as a schoolboy, under the tutelage of the compromising school world, to does not cease where and of "désœuvres" in the field of the ort and its surroundings. By its drawing, the
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SELF-PORTRAIT, Gaya Gallery

"The great debate of the art of our time will not have been the debate of the figuration, and the abstraction, it will have been the debate of the representation of the face and its impossibility "  Jean Clair. Line for line The portrait, and
BONNE LECTURE ! Par Gisèle Grammare

ENJOY YOUR READING

ENJOY YOUR READING !by Mohamed-Ali Berhouma He had written this on the back of a small format frame he handed me as a gift. March 9, 2014: Enjoy your reading! A few days before, we had had a long conversation in his studio as he
Imed Jamaiel, Le Dessous des Ratures, 2014

Imed Jemaiel’s Talismanic Paintings

IMED JEMAÏEL’S TALISMANIC PAINTINGSby Amel bouslama Le Dessous des Ratures (Beneath the crossings out) ran from 6 to 27 April 2014 at A Gorgi, Sidi Bou Saïd, Tunisia. What struck me the most when my eyes met the paintings titled Le Dessous des Ratures (Beneath the Crossings Out) was